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You can choose this version if you are no interested in FX workflows. This tutorial does not include the ship chase and its FX workflows.
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He is currently Head of 3D (VFX) at Jellyfish Pictures, building the team, driving the department forward into new technology and opportunities, and making some pretty cool work for TV and Film. In the last 15 years, he has worked across London at companies including The Mill, Man Vs Machine, Electric Theatre Collective, Analog, and most recently Framestore. He was awarded First Class Honours in Fine Art & History of Art at Goldsmiths, University of London after which he attended and graduated from the prestigious Royal Academy of Art for post-graduate study.
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His interest grew during his studies, producing digital art and writing on visual culture.
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Thomas started his VFX journey in Fine Art - studying to be a painter and sculptor before discovering computer graphics. A walk through of the PolySlice tool, its development, and how its features can be used to process geometry to create complex patterns that are graphic, organic and technology inspired through practical examples. SideFX Houdini Autodesk Maya Davinci Resolve Adobe Creative Suite Substance Painter Maxon Cinema 4D Blender Render Engines: Redshift, V-Ray, Arnold Activity Hello everyone Im happy to share my.
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